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Subject: Yet Another Newbie

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Rick Givens
Posts:29

11/02/2007 12:47 PM Alert 

I just found this forum and it looks like a good place to exchange information and ideas. I'm a bit of jack of all trades: artist (primarily acrylics), photographer, and my wife and I run a small giclee printing and framing business. We live and work in Oregon. I look forward to talking to others about their art.

one who sees

Posts:508

11/02/2007 5:11 PM Alert 
well howdy and welcome to the forums rick...~wink~...plenty of good help and wonderful artists hang around these parts so dont be shy!

~I am always doing what I cannot do yet, in order to learn how to do it~
Vincent Van Gogh

www.bettyannlemist.com
Cate

Posts:15

11/03/2007 10:24 PM Alert 

Hi Rick,

I am also an acrylic artist in Oregon. We currently have a Giclee printer in Medford but I am always looking for other printers maybe closer to where we live and for an affordable price. You can see my work on my MySpace page at http://www.myspace.com/artistcate. I would be interested in hearing how you replicate the originals for the digital files and what kind of resolution you can get for large originals. My email is on my profile page here.

Thanks,

Cate

Rick Givens
Posts:29

11/05/2007 10:19 AM Alert 
Thanks for the welcome, one who sees & Cate.

Cate, nice to know that there's a fellow Oregonian on the forum. If you're currently using someone in Medford area (Irelock Imaging?), I'd guess you're located somewhere in the southern part of the state. Since we're in the Portland area, we're probably not going to be as convenient for you to use, but you're welcome to check out our website at www.sweet-pixels.com.

As far as the technical aspects of our services go, we use both a large format flatbed scanner and a high-end digital camera to capture the images. For large originals, we often digitally stitch multiple images together in order to obtain enough resolution for a high-quality print. We prefer to work with direct digital imaging from the artwork, but can also scan 4x5 transparencies. At some point, hopefully in the not too distant future when we're working with enough artists who paint in a large format, we'll upgrade to a view camera with a digital scan back.

afdunn
Posts:2

11/15/2007 5:13 PM Alert 
i am new in forums and do not know how to get started. I am an artist by the fact i put paint to paper.I started with oils,but found that watercolor is easier for me to clean up. I am to try to paint still life. I am wondering about how the back ground is accomplised and the lighting. It has been suggested to use a box with flaps and a hole to let in light. Any suggestions will be appreciated.


Floyd
Cate

Posts:15

11/19/2007 8:57 PM Alert 

Hi Rick,

I did check out your site. Actually I am also in the Portland area but I got hooked-up with the printer in Medford because he was very reasonably priced and his color matching was very good. He also scans in the images on a flat bed scanner for the digital file. As far as I know that is the best way to insure highest resolution. Most of my painting are 30"x 40" so take about 8 scans to get the image. He only charges $10 per scan so my set-up is only $80 per painting. The giclee prints, per print, are also about half as much as you do it for. The only problem is getting down there and the cost of travel so the set-up might be worth doing closer but the per print price is so much better that I can keep my cost down for my customers if I use the Medford printer. Thank you, though for sharing your website. It is always nice to have a back-up just in case.

I am interested in seeing your acrylics. I saw Wendy's and really liked "Breakfast for Two" and "Waiting". "Breakfast for Two" is reminicent of Matisse's work to me and I love the trickling water in "Waiting". I didn't see any of your paintings on there though, Rick. Do you have a different site?

Cate

 

Rick Givens
Posts:29

11/20/2007 12:49 AM Alert 

Hi, Cate.

The method used to acquire the image in the process of making a giclee should be tailored to the artwork being scanned. For watercolors and other works on paper that have a durable matte finish, scanning on a large flatbed scanner is an excellent means of accomplishing the task. For most other types of art, however, it is not a method that I would encourage. Most oil paintings and many acrylics have a glossy or semi-glossy surface that can create problems in the scanning process due to reflections, which show up as white speckles in the digital image. With oils, which may not be completely dry for weeks after completion, or delicate artwork like pastels, the thought of inverting the painting on a flatbed scanner makes me cringe. Using a high-resolution camera allows the use of polarizing filters on the lights and the camera to eliminate glare. Additionally, if appropriate to the work, the lighting can be adjusted to side-light the painting so that texture will show up in the digital image. The flat light of a scanner cannot accomplish this. Since the camera never touches the image, there's also the advantage of no risk of damaging delicate pieces of art from contact with the scanner bed. The camera I'm currently using is a 14-megapixel DSLR. For a piece the size you describe, capturing the image in 4 to 6 shots and then stitching them will provide plenty of detail. By shooting in RAW and making sure to set the white balance in the camera with a gray card, the color accuracy is excellent. As I said above, eventually we will upgrade to a scan back camera so we don't have to do the stitching on large pieces.

As far as pricing goes, you have to make sure you're comparing apples to apples. Prices vary dramatically based upon your choice of paper. As an example, our price for a print on a nice matte paper is as little as $6.50 per square foot (we price based on the actual area of the image, not the paper as some printers do). For our best Hahnemuhle heavy-weight cotton rag paper, the price is $13.50 per square foot. There is a discount for five or more copies of the same image in the same order. Our prices are on the low end for the Portland area, as I'd be happy to show you with links to some of our competitors' webpages.

My goal on this forum is simply to share information with people here about the giclee business so they can make informed decisions. If you're happy with your printer and what they're doing for you, then by all means you should stick with them.

Rick Givens
Posts:29

11/20/2007 12:52 AM Alert 

I don't get to paint as much as I'd like, but here are a few of my pieces:

 












vikingwife

Posts:878

11/20/2007 6:40 AM Alert 
Welcome Rick! Nice paintings! Especially love the fruit still life.....I like the detail work in the fruit and placemat.....looks like Degas.

Jess
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