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Subject: A new painting called Forclosure

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eyecandy

Posts:193

11/03/2008 1:17 PM Alert 

Here is a new painting that I have just completed that I call Forclosure.  The figure was painted from a live model.  I then put her on a park bench from a scene that I recall when I lived in NJ.  The scene was at a place in Maplewood NJ called Washington Rock.    Since our model looked so depressed, I thought that the name was very appropriate.  I would like to hear your comments because I have an issue with the painting and I would like to know whether it is just me or if others see it as I do. 

I have made some changes and would like some comments on them. I have improved the prospective of the bench and brightend it and given the highlights on the lady a little more color. All comments welcomed with thanks for the help. I have made more changes and this is the latest version.












Phil Sydell
Boynton Beach, Fl
phil-4a@comcast.net or phil4a@msn.com
Maggie429

Posts:467

11/03/2008 1:41 PM Alert 
Phil - this is very dramatic and emotional. I do like it. The background is very dark, thus is it hard to see what issues you were talking about. The only thing I would note is a bit more light on the bench where she is sitting. You have light on her but not too much on the bench itself. Otherwise, it is well done.

Mgi
www.hoviscreations.com
Priti
Posts:237

11/03/2008 7:18 PM Alert 
What a timely title. Nice work, how big is the painting/

Priti
http://priti-fine-art.blogspot.com/
Nancie
Posts:110

11/03/2008 7:35 PM Alert 
This is an interesting painting. It makes me think, I like that. What is she thinking about? Why is she so sad, so lost in thought. The dark colors around her add to the atmosphere. Very nicely done.

Phil where in NJ did you live?

"Art is not a thing, it is a way" - Elbert Hubbard
Kassie

Posts:339

11/03/2008 10:02 PM Alert 
Phil,
This is a very engrossing painting. I agree with Maggie a little light on the bench would hold the figure in the painting. However I do find the face/head is a bit too large for the figure. I have the same problem when I'm trying to get the right expression on the face. But the face itself is well done.
Kathy
bjohnson

Posts:15

11/04/2008 9:21 AM Alert 
Hi Phil, I hope that this is not presumptuous but I did take a few of the suggestions that other posters made and incorporated them into a temporary image of your painting to see if they "played" well. I brought up the reds in the mid-ground, I brought a little light to the bench, and I added a few "spots" of lights to draw interest to the face. Obviously this is taking a great deal of license with the intended "mood" of the painting so please feel free to reject it wholesale. If there are any other tweaks that you'd like me to try - let me know, it only takes a few seconds. -Bruce





eyecandy

Posts:193

11/04/2008 9:24 AM Alert 
I guess that the photo came through a little darker than the original. The bench is actually lighter than it shows in the photo. I have actually measured the head size carefully against the body and it is correct for this ladies proportions, I think. Maybe I made her face too wide. I'm not sure, but I can't get this model back to verify. I do thank you for your comment, however. Phil

Phil Sydell
Boynton Beach, Fl
phil-4a@comcast.net or phil4a@msn.com
Snowartist

Posts:196

11/04/2008 11:47 AM Alert 
You did such a nice job! It is too bad that the model is so depressed. But I think you captured that look very well.
I am amazed that you could paint the background from memory!
Lona
eyecandy

Posts:193

11/08/2008 2:19 PM Alert 
I did paint the background from memeory, but I wouldn't make any bets on the accuracy of scene. I simply improvised where I wasn't sure, and I did have a problem with the prospective of the bench which I am still working on. I do think that I'm going to have to fine a park and look more closely at park benches.

Phil Sydell
Boynton Beach, Fl
phil-4a@comcast.net or phil4a@msn.com
torie
Posts:5

11/24/2008 5:37 PM Alert 
Phil I think your painting is very good. The third picture down is the one I feel looks the best. I think whats bothering you on the park bench is you need a space between the back and the seat of it with a rod are a bar connecting the seat to the back of the bench.
jAlida

Posts:71

11/28/2008 10:17 AM Alert 
Lovely colors, and great job with your model. I would try to tilt back the rear edge of the bench seat in the foreground just a bit so she doesn't look like she might slide off if she relaxed. The rear edge should be a tiny bit lower then the front, or at least sugest such with shading. Yes, a structural gap would work, but some benches don't have one. Love the wild flowers you put in the gass around her. The cheery setting is a good contrast to her expression, which makes for a picture we all want to pause and contemplate.

jAlida
VirgilStreet
Posts:9

12/27/2008 5:09 PM Alert 
You might try making the part of the bench she is sitting on brighter, because it is flat and facing the sky. Then the part that is upright is darker. With all the bench the same value, the viewer can't tell what part of is flat and what part is upright. Then she will look like she's sitting on something flat and your perspective problem will almost be solved.
I like your first take best - the dark background gives a good contrast to her fair skin and white dress. Watch your edges, she's looking a little glued-on.
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