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Subject: New to Oil Painting

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bjohnson

Posts:15

10/31/2008 10:42 AM Alert 
Hi, OK - So i want to jump into oils because I have been drawing and doing pastels and I want to take the leap. I think that I really want to try to recreate on of my latest pastels in oil. Having never tackled the medium before, I have been reading every book I can get my hands on to forestall the moment of truth. I also have a few DVDs from Lipking and Sharon Sprung. In reading about underpainting and brush technique - I want to try to build the hair up in a smooth impasto, wash it with a darker glaze (shadow), wipe and scumble highglight over the top to get it to pop. It has a plastic sculptural quality that I want to try to capture - has anyone used this type of technique before? Am I on the right track? -Bruce





jAlida

Posts:71

10/31/2008 8:49 PM Alert 
Welcome, Bruce! Is this pic of your pastel, or is it your first attempt at oil? It is a great picture either way. If you haven't yet tried oil, just jump in and do it. Oil is a very forgiving medium. If you are intending to use a glazing technique, add Liquin to your colors as a medium to dry the under oils faster. Glazing does require patience with oils. Jump in there and have fun! Looking forward to seeing your paintings.

jAlida
bjohnson

Posts:15

11/02/2008 1:47 PM Alert 
Thank you jAlida, this is a pastel and your right, I should just get started. I did just get some of Gamsol products as medium on someone's recommendation. I appreciate the warning. I have seen scumbling or glazing as a wet overlay, and I have seen others do it very slightly, almost using a dry brush in a hazing effect. Have you tried both? -Bruce
jAlida

Posts:71

11/02/2008 7:06 PM Alert 
Yes, I have done both depending on what affect I am after. A very light, delicate touch is good for such things as rainbow and cloud lighting. A heavier glaze would work for the affect you are seeking with this picture, I think. Experiment on a plain canvas first to get an idea of how to get the look you want with different approaches. Above all, have FUN with it!

jAlida
bjohnson

Posts:15

11/14/2008 3:53 PM Alert 
Well - here we go. My underpainting - trying to keep it cool so instead of traditional sienna or umber wipeout, I decided on black ground and blue grisaille. I enlarged the portrait quite a bit - wanted to work bigger because I can play with techniques. Did the hair impasto so that I could glaze some darker shadow, wipe and then scumble color over the top for more a 3 dimensional look. Now the challenge is to let it dry without messing with it I guess. Oh well - maybe I can start something else in the interim... -Bruce





Kassie

Posts:339

11/15/2008 12:55 AM Alert 
Good start Bruce,
Kathy
bjohnson

Posts:15

11/18/2008 12:50 PM Alert 
next layer. I did some correction of the eye. Still really need to soften the mouth area. Can't wait for that hair to dry. I thought If I went over the top with a combination of alkyd/gamsol gel for impasto it might dry a bit faster. Really need to layer in that shadow. Guess I can work on the hand in the interim. Amazing what a forgiving medium this is, I've screwed this up a few times.





bjohnson

Posts:15

12/08/2008 9:35 AM Alert 
Next layer - softened lips, scumbled some aqua, darkened the hair and a few more details....





eyecandy

Posts:193

12/08/2008 10:47 AM Alert 
She must be watching television! Nice job.

Phil Sydell
Boynton Beach, Fl
phil-4a@comcast.net or phil4a@msn.com
jezzwhizz

Posts:24

12/11/2008 6:59 AM Alert 
Great painting. There is nothing like working with oils, and the layers. Although I am only a student myself, self-taught from the web mainly, and watching a couple of videos, I will often use 6, 7 even 8 or 9 layers of oils before the finished result. With hair, I usually use a course hog bristle fan brush which will producce hundreds of individual hairs with one stroke of the brush. Forgive me, as I imagine you already know this :-)
blessings - j

All you need is Love.........
Jim

Posts:2355

12/11/2008 11:17 AM Alert 
Nice job Bruce,
Unique approach on lighting.

All the best,
Jim

www.paintingsbyjim.com
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